By Nyderah Williams
February 8, 2015
Justin Hopkins is excellent as Publio. His presentation is very much the unfaltering, righteous Roman and he sings most attractively with his dark baritone voice.
Great performances aren’t just limited to the named characters. The chorus is also a delight. Nicely balanced with good blend and easy amplitude, they help create an intense and striking atmosphere. In addition, Dr. Eiki Isomura conducts with finesse and the orchestra radiantly delivers sound of the highest quality.
The staging and set of LA CLEMENZA all blends together with simplicity and intrigue. The set, comprised of a few very versatile box set pieces, is entirely covered in a decoupage of newspapers articles. The effect is a welcome one and goes well with the modern costumes of the cast. Keturah Stickann and Jeremiah Minh Grünblatt respectively, as stage director and production designer, have succeeded in showing how themes of this piece traverse into modern times.
Mozart’s infrequently performed LA CLEMENZA DI TITO is well-done by Opera in the Heights. From start to finish, their LA CLEMENZA DI TITO is a marvelous work, filled with beautiful, emotive singing, accompanied by an orchestral performance that is sumptuous and dynamic, all working together to bring forth every possible nuance in Mozart’s music. The entire performance including intermission is 2 hours and 35 minutes long. It is well-worth every second of it.